We Tell Stories
But not the kind you’ve heard a hundred times. Not the kind that play it safe and end with a bow.
We like the stories that start with a detour. That glitch the matrix. Our stories don’t just ask for attention. They take it!
Jungle Book Studio wasn’t built to fit in. It came from a need to stir things up. To make space for chaos, honesty, risk. We work across formats, borders, and genres. We collaborate with artists who’ve never met, but who have been chasing the same feeling.
Jungle Book Studio wasn’t built to fit in. It came from a need to stir things up. To make space for chaos, honesty, risk. We work across formats, borders, and genres. We collaborate with artists who’ve never met, but who have been chasing the same feeling.
our
process
Trust the gut, stay true to your beliefs, challenge conventions and then make it beautiful.
We don’t follow algorithms. We interrupt them.
We don’t post. We provoke.
Our name isn’t just a throwback to a legendary piece of art. It’s a signal that the wild has its own logic. And we follow its rhythm.
This is Jungle Book.
No noise. Just impact.
We don’t follow algorithms. We interrupt them.
We don’t post. We provoke.
Our name isn’t just a throwback to a legendary piece of art. It’s a signal that the wild has its own logic. And we follow its rhythm.
This is Jungle Book.
No noise. Just impact.
our clients






































THE MIND BEHIND IT ALL
GAURAV DHINGRA

Maverick. Visionary. Trailblazer
Three words you won’t find in Gaurav Dhingra’s bio because he’s too busy torching clichés to pose next to them.
Gaurav’s story doesn’t start with film school or a five-year plan. It starts with a backpack, a mountain trail, and a camera crew that needed help. At 19, he stumbled into the madness and never left. He started out assisting on shoots for iconic filmmakers.
Over the years, he grew into a producer with a knack for gritty, global-facing stories, cutting his teeth on indie features, documentaries, and ambitious cross-border projects. Then came Angry Indian Goddesses, India’s first female buddy film. It stormed TIFF, sold in 70 countries, and proved Indian indies could travel.
Gaurav doesn’t do “chalta hai.” He doesn’t do templated. He’s obsessed with fresh ideas, sharp execution, and turning chaos into clarity. From executing the Indian legs of The Amazing Race for 25 years to producing the Rajasthan episode of Rennervations, Gaurav has consistently delivered on international standards and has become the go-to producer for global productions coming to India.
His latest film, Stolen, premiered at Venice in 2023 and drew praise for its tension, restraint, and relentless grip. The film is now streaming globally on Amazon Prime.
At Jungle Book, Gaurav isn’t chasing trends. He’s chasing the kind of stories that leave burn marks.
Gaurav’s story doesn’t start with film school or a five-year plan. It starts with a backpack, a mountain trail, and a camera crew that needed help. At 19, he stumbled into the madness and never left. He started out assisting on shoots for iconic filmmakers.
Over the years, he grew into a producer with a knack for gritty, global-facing stories, cutting his teeth on indie features, documentaries, and ambitious cross-border projects. Then came Angry Indian Goddesses, India’s first female buddy film. It stormed TIFF, sold in 70 countries, and proved Indian indies could travel.
Gaurav doesn’t do “chalta hai.” He doesn’t do templated. He’s obsessed with fresh ideas, sharp execution, and turning chaos into clarity. From executing the Indian legs of The Amazing Race for 25 years to producing the Rajasthan episode of Rennervations, Gaurav has consistently delivered on international standards and has become the go-to producer for global productions coming to India.
His latest film, Stolen, premiered at Venice in 2023 and drew praise for its tension, restraint, and relentless grip. The film is now streaming globally on Amazon Prime.
At Jungle Book, Gaurav isn’t chasing trends. He’s chasing the kind of stories that leave burn marks.
















